04 01 2025

Letterpress projects 2024

In 2024 I made a conscious effort to learn more about and get better at traditional letterpress printing. Although the principles are the same (because principles, duh), the distinction between small type and large type is useful to me.

Small type

A small column of lead type bound together with a piece of string.

To improve my skills in working with lead type I joined the Poetry on the Press programma at Atelier t. in Belgium, last May. A full week of setting and printing small type. 12 Point Palatino to be exact. More on this very rewarding experience here (in Dutch).

detail of print with text in different small sizes. Ornament shapes suggest jellyfish.

Inspired by what I learned there I designed and produced the ‘to be, continue’ print in our own letterpress workshop. Hey while we’re at it, why not try and use 8 point type? The first version of this design was printed on A5 sized sheets, as part of a collection made for the 2025 edition of Letterpress Workers in Milan. In the second edition I used a much taller format that allowed for more space and more jellyfish!

Since I’m mostly still learning all this I’ve collected these prints under the Practium project here.

Large type

Designing posters is how I discover the possibilities of our wood type collection. Primary use case: GAH exhibition posters, and a smaller version of one I made earlier.

This Zines poster might have happened at the tail end of 2023 but I’m including it anyway. A small catalogue of typographic options in itself.

Most of the promotion material for my 50 birds exhibition was produced digitally, printed elsewhere. There was a list of all birds on those and I wanted to see if I could produce that full list in letterpress as well. It turned into this dyptich. I’d love to say I had calculated that things would all fit as nicely as they did beforehand, but no. Sheer dumb luck. We have two complete founts of this letter, which made it possible to set this much text in one go. (A fount is the full set of letters and symbols for a given font at a specific size. Many e’s, fewer w’s. An English fount has more y’s than a Dutch fount, etc.)

Two posters with the same design and layout but different colors. The text reads When in doubt Make something. The poster on the left is in black ink on white, the one on the right in light blue ink on black

The When in doubt poster was an extensive exercise in getting all those characters in different stages of run-down-ness to an even printing height. Much proofing and putting small bits of paper under things for this one. Available to buy, even. Here.

workshops

  • March saw an international group of printers work with our collection and produce work inspired by the Kwadraatbladen. The report, in Dutch is here.
  • Posters à la Brattinga was the theme for another work week, producing posters using the 3 x 5 squares grid by Dutch designer Pieter Brattinga. Still needs its own writeup, that.
  • I hosted a one-day workshop at the end of the year in which participants produced posters with their own XL note to self.

Letterpress 2025

The poster printing workshop was fun. As they say, to really learn something, teach it. Looking forward to do this a couple more times and streamline the process. As for the small type, I want to combine traditional lead type designs with LEGO letterpress and/or monoprinting techniques and see what that brings us.

02 01 2025

To do the work, then to share it

January looking crammed already.

Figuring out the list of projects for the first part of the year:

  • zines: my own and helping somebody else to produce their first one, which I’m really looking forward too. There’s an experiment in a follow-up product in there.
  • bird prints, which ones, in which order that matches with upcoming events.
  • And need to wrap up some loose ends as well.

Think in projects, one at the time whenever possible. Know its context (time, place, people, events, hashtags…), then share it as effectively as possible.

01 01 2025

2025

Hope you can make it a good one.

I’ve added a simple calendar page that lists upcoming exhibitions, fairs and the like. I’m no good at planning things far in advance, but apparently it’s a grown-up thing to do! See you there.

20 12 2024

2024 retro: Zines

Zine making become an important part of my creative practice over the last couple of years. Last February/March we organised the sixth edition of VOLUME. The subtitle onderzoek in oplage translates as research in circulation/edition. It still inspires to apply the many sides (hah!) of printmaking as image generator, incitement and theme -in-itself.

Still, not much zine work done this year. My entries for the VOLUME #6 exhibition were:

Copies of the same zine, copies standing, showing the cover. Two other copies lying open in front, showing different pages.

Zines 2025

I’m especially looking forward to create a new edition in the Bildung zine series, using a similar approach as in the first edition. A collection of my own writings, sketchbook pages, project documumentation and inspirations from the last few years. This worked really well in Bildung 1, both as a retrospective of and a compass for my own work.

VOLUME #7 opens Sunday, January 2nd in Grafisch Atelier Hilversum.

Featured

Also,

All posts



The Bildung Digest

A weekly newsletter with links and notes on creative work. Always with a page from my journal.